Powered by the strikingly soulful vocals of Xandra Corpora, San Francisco’s Con Brio (“with vigor, or spirit”) blends old-school grit with new-school sophistication for a sound that’s wholly their own. The instrumentation is timeless: saxophone and trumpet roll over thick organ grooves while electric guitar, upright bass and drums keep heads nodding and the dance floor moving. A lesser singer could be forgiven for getting lost in the mix, but Corpora stands out. Her rich and powerful voice is the first thing to grab you, but it is the raw honesty and sincerity of the lyrics that stay with you long after the club goes dark or the record stops spinning.

Not surprisingly, there’s a loyal (and constantly growing) legion of fans who turn up to get down at every Con Brio show, and the sextet doesn’t disappoint; each performance is hot, heavy and different from the last. Combining raw talent, a dynamic stage presence and spontaneous style with a professional polish usually seen in much more veteran ensembles, the band is tight and energetic — and when it comes to spirit, they’ve got it in spades.

After forming in 2009, Con Brio immediately took to the stage and the studio, with a heavy schedule of local shows and the recording of their debut album. 2010 saw the release of From The Hip in front of a sold out crowd at Cafe Du Nord in San Francisco, and a relentless gigging schedule alongside many of the Bay Area’s finest acts. In 2011, the band ramped up their regional touring, with shows from Seattle to San Diego, and higher-profile concerts in San Francisco including performances at The Great American Music Hall, The Independent and Regency Ballroom (as part of SFWeekly’s All Shook Down Festival). The next year promises to be an even busier one for Con Brio, with the release of their live album, a return to the studio for a second full-length studio album, and their first national tour.

SPAIN. CUBA. JAMAICA. CALIFORNIA. Direct from San Francisco's vibrant music scene, this ensemble draws from the many genres that have strong traditions in the Bay Area, bringing them together into their own distinctive sound. LoCura's music is strongly rooted in Flamenco, deepened through their time living in southern Spain and traveling in Morocco. But it is in the way LoCura mixes and moves in and out of other musical styles, like Reggae, Cuban Son, and Hip-Hop carried by the powerful performance and the soulful vocals of lead singer Kata, that results in an irresistible desire to move and be moved. In Spain the expression "Ida y Vuelta" is used to describe certain styles within Flamenco that made a "round-trip" from Spain to Latin America, mixing with music from the African slave and Indigenous populations. With this idea of music traveling and music as creative resistance, LoCura takes the trip back again mixing it up with their own Califas Flamenkito, Reggae, and Cuban Son styles. As the name implies, LoCura taps into the maelstrom of daily experiences to find that point where opposites meet and dance to convey the way different musical traditions can move so fluidly together. Moved by the music that crosses borders and takes root in different lands, LoCura draws from this creative 'rebelde' spirit to cultivate the cures passed on from our ancestors.