Doors: 7:30 pm | Show: 8:00 pm
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Angine de Poitrine
Disciples of planet Earth’s rock deities, space-time voyagers Klek and Khn de Poitrine gaze in wonder at hot dogs, pyramids, and rock music in all its glorious excess. Asymmetrical and dissonant, Angine de Poitrine’s music makes hearts race and bodies move with ecstatic abandon. Through tight, pulsing drum grooves and intricate tangles of double-neck microtonal guitar, the band summons swirling vortices of hypnotic sound and vision.
Since the release of Vol. 1 in 2024, Angine de Poitrine are in the eye of an ever-growing storm of enthusiasm from audiences, critics, and music industry’s main actors. After delivering electrifying performances at Quebec’s major festivals, including the Festival International de Jazz de Montréal, Angine de Poitrine now sets their sights on the prestigious Trans Musicales in Rennes. All these facts are strictly reserved to the humanoids: Angine de Poitrine are simply thrilled to play rock ’n’ roll.
Population II
Population II is a band dedicated to its disengagement, constantly working on refining their imposing, yet unpretentious sound. A trio consisting of singer/drummer Pierre-Luc Gratton, guitarist/keyboardist Tristan Lacombe and bassist Sébastien Provençal, Population II are masters at both improvised madness and sophisticated composition, delivering heavy psychedelic rock infused with feverish funk rhythms, a hint of jazz philosophy, a burst of energy reminiscent of punk's early days, and a love of minor scales that harkens back to the roots of heavy metal. The band's uniqueness is reinforced by Pierre-Luc's unique voice and his introspective, nostalgic and offbeat lyrics.
Their sources of inspiration are diverse and not limited to music: the Detroit garage rock and psychedelic funk scenes of the late 60s, the Canterbury scene of the same period, the German experimental rock of the 70s and Miles Davis’ eclectic era collide, bound together by the swampy decor of Pointe-Calumet and, above all, by the deep friendship and undeniable chemistry emerging from its three members. The band has always kept their distance from the Montreal music scene, preferring to develop their idiosyncratic style on their own. The result is a sound that transcends time, immune to the trends that dominate the current indie landscape. Population II thus imposes themselves as an unfathomable entity emerging from the depths of the swamp, characterized as much by hazy ambiences as by cathartic explosions.
The roots of Population II go back a long way, and are inextricably linked to its members’ teenage memories. After years of jamming to the point of developing a sense of telepathy, the trio began recording a handful of independent releases that soon caught the attention of John Dwyer, leader of the American rock band Osees, and the man behind the independent label Castle Face Records. Thus was born À la Ô Terre, their first label-released album, which came out in 2020. The band spent the next two years playing shows in Canada and the United States, notably performing at SXSW (Austin, Texas) and Pop Montreal, as well as in Toronto, New York and Quebec City.
They returned in 2023 with Électrons libres du Québec, their sophomore album, this time released on Bonsound. A little more straightforward than its predecessor, the record reflects a natural progression of the sound the trio established on their previous releases, showing a sharp sense of songcraft and the undeniable expertise of their instruments. Since then, various tours followed, including several dates opening for Osees.
On a creative spree, Population II struck again the following year with their EP Serpent Échelle in the spring, and a split single with local punk act Mulch in the fall. With this prolific sequence of releases, the band laid the groundwork for Maintenant Jamais, a third full-length album on which they stir up their various formative influences with sophistication, resulting in fourteen catchy, transgressive tracks.
Although Population II has kept busy touring internationally, sometimes supporting bands such as OSEES, SLIFT, and Frankie and the Witch Fingers, and playing at festivals like Levitation and Hipnosis, their creativity remains just as strong. After teaming up with You Doo Right and Nolan Potter to release the collective, improvised effort You II avec Nolan Potter in the fall of 2025, they return this spring with Gimmicks, a new EP that predominantly features keyboards and synthesizers.