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Nicki Bluhm

Nicki Bluhm

Mapache

Fri, Jun 8, 2018

Doors: 8:30 pm / Show: 9:00 pm

$25.00

Tickets at the Door

This event is 21 and over

Nicki Bluhm
Nicki Bluhm
Compass Records is excited to announce the release of renowned singer/songwriter Nicki Bluhm's new album, TO RISE YOU GOTTA FALL out June 1. To celebrate the announcement, Rolling Stonepremiered the tle track yesterday, hailing the song as "a blast of Memphis soul." TO RISE YOU GOTTA FALL as recorded in Memphis at the legendary Sam Phillips Recording studio and features two co-writes with Ryan Adams and a Dan Penn cover. For these live band analog sessions, Bluhm brought in producer Matt Ross-Spang (Margo Price, Jason Isbell), and the studio band included Will Sexton (guitar), Ross-Spang (guitars), Ken Coomer (drums and percussion), Al Gamble(Hammond B3), Rick Steff (piano) and Dave Smith (bass), with Reba Russell and Susan Marshall (background singers), Sam Shoup (string arrangements) and various special guests.

"It was the very first song we tracked," Bluhm told Rolling Stone, "and Ken just started playing the groove and the band slowly started to drift in. Ken is such a present musician, and he's listening to the words and reading the room and the vibe...There's a line in the song that says, 'I went looking for some perspective, so I knocked on my mama's door,' and he just hit the drum -- the rim -- like a knock, which brought a playfulness and lightness to the song. I love Will's guitar playing, too. It's so understated, but he makes himself known. It's like the old saying goes: 'The young bull charges down the hill, but the old bull takes his time.' These musicians were tasteful; they're all old bulls full of experience and class. Having a string section arranged by Sam Shoup was the icing on the cake. Memphis had melted into my California soul."

After six years with her band the Gramblers, and recent high-profile collaborations (Phil Lesh, Infamous Stringdusters, Ryan Adams), Bluhm wrote the life-chronicling songs for TO RISE YOU GOTTA FALLover a two-year period, during which she got divorced and moved to Nashville, TN. The album is a chronicle of her state of mind following these deep and fundamental life changes.

"These songs are quite personal," Bluhm says. "They are the conversations I never got to have, the words I never had the chance to say, and the catharsis I wouldn't have survived without."

Bluhm's divorce, along with the need to challenge herself, inspired the West Coast na ve to make her spur-of-the moment, cross-country move to Nashville in 2017.

"Nashville was inspiring because of all the songwriting going on here," Bluhm says. "When I would come to Nashville on writing trips it was just percolating... it was intoxicating. So I very hastily, in a matter of days, decided to move. I just had this gut feeling."

Ross-Spang happened to be mixing a record in Nashville at the time and they met up and hit it off immediately.

"I really needed someone who was going to take the reins and have a vision for the album and he really did," Bluhm says of meeting Ross-Spang. "My ex-husband had been my musical director, co-writer, and producer on all my records except one and I was looking for someone to step into that leadership roll, which Matt did very gracefully. I was looking for a clean slate; the only baggage I wanted to bring into the studio were the words to the songs I was singing. I wanted it to be a fresh experience; I didn't want to even have history with anyone in the room that would pull me into old habits or ways of thinking. So we agreed we'd record in Memphis."

Once settled in Sam Phillips Recording, the sessions revolved around tracking live with an ace band assembled by Ross-Spang.

"We really just recorded live and we didn't do that many takes of each song," Bluhm says. "The final versions we ended up with were all one take. It was really refreshing to go analog. It minimized over thinking and second guessing, forced us all to stay in the moment and play from the heart. Sam Shoup did all the string arrangements and when he walked in the room I thought he was a housepainter; he was the most understated, unlikely suspect. That was the thing about Memphis that was cool... not a lot of egos, just people making music for music's sake. Throughout the session there was a lot of listening and trusting. Matt really spends me curating his sessions and who he decides to bring in; he knows how to keep the vibe right. What you are hearing is, as Jerry Phillips would say, 'not perfection but captured moments in time.'

"I had lost my partner in so many ways," Bluhm continues, "my musical partner, my life partner, my creative partner, and all of a sudden I was left on my own, to start my own engine. It was really intimidating and scary," she says "but I had support from my management, my agent, my friends and family, and ultimately I just had this guttural drive that I didn't even know I had in me. I was on autopilot, ready to move forward and take the steps I had to take to keep moving forward. When the album finally comes out it's going to be like setting a caged bird free."

Bluhm will be touring this year and beyond in support of TO RISE YOU GOTTA FALL. The confirmed tour dates are below with more to be announced soon.
Mapache
Mapache
Close your eyes and imagine the Everly Brothers wearing Tie-Dyed Nudie Suits. Okay, now open them. There’s Mapache.

Youngn’s Clay Finch and Sam Blasucci, the Mapache boys, are barely in their 20s and are already rising to the top of the new wave of West Coast Cosmic Americana. Born and raised in Glendale, California, their breathtaking harmonies and heartfelt yet heady sound, was honed by surfing the beaches and exploring the deserts and canyons of their native California.

Clay spent time at Chico State while Sam missioned in Saltillo, Mexico, living out what would become the songs on their self-titled debut album on the Spiritual Pajamas label.

The lineage of Mapache has blood running back to the first wave of psychedelic country revivalists Beachwood Sparks. Clay is a cousin of Beachwood main man Chris Gunst. Chris and GospelbeacH’s Brent Rademaker went to bat for Mapache by helping them score their first club shows and recording sessions with Dan Horne. Since then they’ve made fans of no less than Chris Robinson, Neal Casal, Jonathan Richman and the Allah Las among numerous others on the California music scene.

“One memorable night they showed up to our gig with deep surfer tans and big white circles around their eyes just like raccoons—Mapache is Spanish for Raccoon,” remembers Rademaker. “The boys set up on stage, sang and played their timeless and soon to be classic songs into a single microphone. Time stood still, and the normally chatty LA crowd closed their mouths and opened their ears and their hearts to Mapache. At that very moment I knew they were on their way.”
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