Show Info

Moonchild

Sean Healy presents

Moonchild

Tue, Nov 12, 2019

Doors: 7:30 pm / Show: 8:00 pm

$27 ADV - $75 Meet + Greet

This event is 21 and over

VIP Q&A Package includes:

-One general admission ticket
-Early entry into the venue
-Exclusive Q&A session with Moonchild
-Personal photograph with Moonchild
-Collectible B-sides poster; signed by Moonchild (limited print)
-Exclusive VIP merchandise item
-Official meet & greet laminate

 

Moonchild will be partnering with charities nationwide to support causes that work to positively impact local communities. $1 from each ticket sale will be donated, details forthcoming.

Moonchild
Moonchild
Moonchild is a combination of three independent, strong-willed spirits—Amber Navran [vocals, tenor
saxophone, flute, keyboards, synth bass, drum programming], Andris Mattson [trumpet, flugelhorn,
keyboards, synth bass, guitar, drum programming], and Max Bryk [alto saxophone, clarinet, keyboards,
synth bass, drum programming]. The resulting union yields an ever-evolving fusion of alternative R&B
and neo-soul. For as singular as each personality may be, they all participate equally in writing,
producing, tracking, and mixing their records, collaborating as true equal partners. Not only do they
create as a unit, but they also evolve, grow, and transform as one.
“Our chemistry as writers was pretty instantaneous from the start,” explains Andris. “The first tune we
came up with, we all sat on a piano bench together and wrote as a unit. Nowadays, each of us has our
own studio setup and are constantly making beats and writing songs on our own. We’ll often send each
other emails of beats we made and then get together to expand them into full songs. We have so much
trust in each other during the writing process.”
As Moonchild, the whole becomes greater than the sum of its parts—never more so than on their fourth
full-length, Little Ghost [Entertainment One].
After that first shared piano bench session at the University of Southern California, the group unveiled
their debut Be Free in 2012. Please Rewind followed three years later, and 2017’s Voyager saw them
ascend to new critical peaks. NPR Music touted the record among, “Five R&B Albums You Slept On In
2017,” and JAZZ FM named them “Soul Act of the Year” for 2018. “Cure” toppled 8 million Spotify
streams, and “The List” exceeded 7 million plays on Youtube.
Along the way, the trio performed headline shows everywhere from the United States and Europe to
Asia, and supported other tours for the likes of The Internet, Kamasi Washington, and more. As they
began writing and recording Little Ghost in 2018, the individual progression of each musician informed
and elevated the creative process. While laying down tracks at a Lake Arrowhead retreat, Andris dove
further into the guitar, incorporating it at the core of the new music.
“The three of us are always experimenting with new programs and gear and trying to improve our craft
individually,” he goes on. “I’ve been so into guitar, so that’s a big shift from previous Moonchild albums.
The acoustic and ukulele really expanded our sound. The keyboard-driven sounds and horns are still
there, but they’re intertwined with guitar.”
“The evolution connects to the title,” adds Amber. “At the end of a star’s life, the gas expands into space
and leaves a really beautiful nebula, and there is one up there called Little Ghost. We thought it was a
cool concept of expansion, mirroring what we were doing as a group.”

The first single “Too Much to Ask” illuminates that expansion. Andris pairs an electric piano patch with
the guitar and ukulele over a skittering groove as Amber’s raspy delivery rolls from a near-whisper to a
soulful swoon.
“It’s about realizing you’re in a relationship with someone who’s halfway out the door - who doesn’t
care like you do,” she says. “Often you come to that realization one hint at a time, with the all little
things they don’t do.”
Eliciting a raucous reaction by playing horns together live, the band “incorporated more horns than ever
before,” according to Max. Not only do horn solos blare and bounce through “Money” and “Come
Over,” but they kickstart the momentum on the opener “Wise Women” where jazz-y shakers and hi-hats
give way to a breathy clarion call for female empowerment as Amber sings, “Go on and prove them
wrong.”
“‘Wise Women’ is just about making things happen for yourself and not waiting for opportunities to
come,” she elaborates.
Ukulele and piano converge for a dreamy dynamic on “The Other Side,” while everything concludes on
the sweeping string outro of “Still Wonder.” It serves as a cinematic send-off befitting of the 14-track
journey.
“Writing together is ultimately therapeutic,” Amber leaves off. “I hope we give listeners something they
can relate to and find comfort in. It’s what music does for us.”
“We were obsessed with crafting this record,” concludes Max. “It got us really excited every day. Maybe
it can inspire others to pursue their own art or anything that makes them feel good.”
Show Info