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Café Tacvba

Five Nights! - Niu Güeis Tour 2018

Café Tacvba

The Marías

Thu, Sep 6, 2018

Doors: 7:30 pm / Show: 8:00 pm

$49.50 ADV - $50 DOOR

Tickets at the Door

This event is 21 and over

Café Tacvba
Café Tacvba
Cafe Tacvba is widely recognized as Mexico’s leading alternative rock band and indeed one of the most influential alternative groups to come out of Latin America, spearheading a non-conformist musical movement with their blending of elements such as rock, indigenous folk, electronic and punk music. With a career spanning over 25 years, they continue to expand an already massive audience of devoted fans throughout the Americas, Europe and beyond. They have won multiple Latin Grammys and a Grammy, and their album, Re, was named the “Number One Latin Rock Album of All Time” in 2013. (Rolling Stone)
Starting out in the ‘80s as a garage band of graphic design students in the northern Mexico City suburb of Satélite, the band took the name Cafe Tacuba (changed later to Cafe Tacvba) in 1989, when they solidified the lineup as lead singer Rubén Albarrán, guitarist José Alfredo Rangel (Joselo), bassist Enrique Rangel (Quique), and keyboardist Emmanuel del Real (Meme). Their flare for presenting a mix of rock, new wave and regional Mexican sounds with light-hearted irreverence made them a sensation on the club scene in Mexico City, and caught the attention of then up-and-coming Argentine producer Gustavo Santaolalla. After arranging their contract with Warner Music, Santaolalla produced their first album, Cafe Tacuba, (1992), beginning a long and fruitful collaboration for albums to come. The band’s original lineup of four remains the same today, though they have diversified their roles within the band. Each a musician/composer in his own right, they continue to pursue individual artistic projects as well. Regular adjunct musicians include Alejandro Flores, violin, beginning in 1994, and drummer Luis “El Children” Ledezma, in 2003.
One constant throughout Cafe Tacvba’s career is innovation. While commonly regarded as the most prominent band to come out of the “rock en espanol” movement of the early ‘90s, the label has always been too narrow for Cafe Tacvba’s music. The lyrics are in Spanish, however their songs - rooted in Mexican culture yet incorporating multiple genres and influences - cross barriers with a musical language that is constantly evolving through experimentation and collaboration. They don’t so much honor rock traditions as break with them. As noted in the NYTimes, “Cafe Tacvba has earned its reputation as Mexico’s most visionary rock band…treating rock as a genre worth sustaining only if it could be exploded, repeatedly.“
No Cafe Tacvba album is like another. Each studio album is guided by an overriding artistic vision, from the styles of songs and instrumentation used, the collaborators involved, and the design of the packaging (usually done by themselves) - frontman Rubén even assumes a different stage name for every album and touring cycle. Each album feels like a reinvention: whether it’s the seminal Re (1994) with it’s wide range and dramatic style-switching (earning it comparisons with the Beatles’ White Album), the reimagined cover songs of Latin music classics in Avalanche de Éxitos (1996), the experimental electronica of the two-disc Revés/YoSoy (1999), the lush post-punk rock sounds found on Cuatro Caminos (2003, with drummers Victor Indrizzo and Joey Waronker from Beck), Si No’s (2007) classic rock vibe, or the lyrically introspective El objeto antes llamado disco (2012).
The LA Times noted, “On record, Cafe Tacvba comes across as one of the most innovative, versatile and lyrically smart bands in contemporary rock. On stage, it comes across as one of the most likeable.” Being compelling as a live band is in their DNA: they originated as a live act with a cult following, refining their music through multiple performances before ever recording. Their creative energy on stage seems boundless. Exuberant and playful, they can connect with an audience of 80,000 in Mexico City’s Foro Sol. “Beyond the incredible live performance, what stunned me was the rapport the Tacvbos, as they're known, have with their audience.” (NPR Alt.Latino).

Awards include: GRAMMY “Best Latin Rock/Alternative Album” (Cuatro Caminos), Latin GRAMMY “Best Rock Album” (Revés/YoSoy), Latin GRAMMY “Best Alternative Album” (Cuatro Caminos), Latin GRAMMY “Best Rock Song” (twice, for Eres and Esta Vez), Latin GRAMMY “Best Alternative Song” (Volver a Comenzar) iTunes “Best Latin Album of the Year” (El objeto antes llamado disco). Their music appears on soundtracks of the award-winning films Amores Perros and Y Tu Mama También. Music video awards include: “MTV Legend” award (2009), Latin GRAMMY “Best Long Music Video” for Un Viaje (2006) as well as multiple MTV Viewer’s Choice and Premios Lo Nuestro awards. In 2015, they were recognized with the “Icon” La Musa award of the Latin Songwriters Hall of Fame.

“Mexico’s premier rock band… The group invites reckless fun… ” — Ben Ratliff, The New York Times
“They’re bringing their identity to play in a more global game.” — Gustavo Santaolalla, Grammy and Oscar Award-winning producer.
“Because Café Tacvba draws not just from rock and new wave, but from Mexico and Latin America, they have a wider palette than any band I can think of.” — Victor Indrizzo (Beck)
“Number 1 Latin Rock album of All Time (Re). Every album that the Mexican quartet released after this one is just as good, but Re was the one that redefined the rules of the game. It was OK to scoff at Mexico’s norteño roots, provided the nod was as affectionate and inspired as their hit “La Ingrata.” It was valid to embrace the foreign influence of rock & roll and punk, as long as it was blended with authentic Latin sounds. A feeling or reckless enthusiasm permeates Re’s 20 tracks — the wide-eyed grin of a young band discovering the grand achievements it was capable of. ” — Rolling Stone
“Not unlike Radiohead, they just keep evolving in unpredictable ways.” — Nic Harcourt KCRW
“One of the biggest and most iconic Latin American bands.” Billboard
The Marías
Formed in Los Angeles in late 2016, The Marías are the psychedelic-soul lovechild of LA native, Josh Conway and Puerto Rican-bred, Atlanta-raised María. A smooth rendezvous of jazz percussion, hypnotic guitar riffs, smoke-velvet vocals and nostalgic horn solos, there’s something undeniably sensual in the group’s dreamlike fusion of jazz, psychedelia, funk and lounge.

With María on lead vocals and Josh on drums, the couple is joined by their closest friends and fellow musicians. On guitar, Jesse Perlman, born and bred of LA, with ‘tones that can melt steel,’ say his bandmates. On bass, Canadian born and Berklee trained Carter Lee. On keys, Edward James.

As they take to the stage, dressed like a dream from another era – it’s clear why fans cheekily compare their sound to ‘having sex in the 70s’ or like ‘pouring cream into coffee.’ Watching them, you feel transported, taken over by a sultry tranquility as you drift into a timeless space.

They recently released their first EP, titled ‘Superclean Vol. I,’ in the fall of 2017, and it'll be followed by ‘Superclean Vol. II’ in early 2018.
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