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Rachael Yamagata

Rachael Yamagata

Craig Stickland

Mon, Mar 12, 2018

Doors: 7:30 pm / Show: 8:00 pm

$25.00

Tickets at the Door

This event is 21 and over

Rachael Yamagata
Rachael Yamagata
Easton, MD -- Front porch of producer John Alagia's house on the Chesapeake Bay.

I've just woken up from another end of the world dream where Bon Jovi was an alien planting explosive devices in cupboards that eventually cause massive flooding when I decide I need to do a morning coffee run (ok, I need cigarettes) so I grab my keys and head to town. E-Rob (Eric Robinson), our engineer, is just going to bed after working late on a vox comp for 'You Won't Let Me' and it occurs to me how I've truly lucked out with the people involved in "Chesapeake."

I am in the studio. And when I say studio, I mean Alagia's house that we've spent weeks converting into a studio. We shipped gear, borrowed microphones, amps, guitars, and a grand piano that's living in his bedroom (because that's where we get the best sound). We housed vox mics in his shower for some natural reverb and of course the porch where I write this -- a past scene of pre production jams complete with drums made out of cardboard beer cases and recycling bins -- cellos stuck in wads of duck tape so as not to slip on the floor, a wurly set up by the table of receipts I'm calling 'my office' etc.

I packed my car what seems like months ago chock full of air mattresses, giant breakfast skillets, keyboards, snow boots (unusable) and of course my diva tent -- an 8 person banana yellow monstrosity that I've been sleeping in for some time now to carve out a little private space for moi as well as leave room for the house full of amazing musicians that have come to play. There have been rounds of plumbers and air conditioner technicians, trips to Target for the inflatable pool that has since garnered a crop circle impression on the lawn for a mere $79.95, and thank you dad for the grill donation -- let there be burgers.

The players are my dream team, the kinds that have taken years to find and make history with. We've been saying 'there's a lot of love in the room' and there must be because schedules have been routed, carpools arranged -- anything to help a girl now financing her own career full throttle. Victor Indrizzo has a week off from Sheryl Crow's tour and when he's not doing the dishes has laid down some of the most bad-ass drum tracks that I've ever heard. Mike Viola (Candy Butchers, Walk Hard, Get Him To The Greek) has already tracked harmonies to rival The Beach Boys and The Carpenters and truth be told, wears sunglasses while in his pajamas. Michael Chaves (John Mayer, Five For Fighting) is the guru of vibe on guitar, only wears black and insists on sleeping on the couch as if it's the best room in the house. Kevin Salem (Dumptruck, Yo La Tengo) is still doing additional tracks he dreams up between producing underground Pakistani superstars as well as shuttling English cellist Oli Kraus (Sia, Duffy) down from NYC -- the same cellist I once leaned over to my friend at a Beth Orton concert 8 years ago saying 'someday I'll have strings like that', but that's another story... And of course Tom Freund who will forever be known as Starfish for the way he spreads out in a bed -- not that grown men are sharing beds here or anything. He can make you cry when he plays upright.

There is no label -- only my own -- and I'm pretty sure the artwork for this record will come down to Camera+, the iPhone app that works wonders on pictures. The stash of cash that Dad put away for my wedding has been put to use here along with whatever frequent flyer miles I knew I'd use someday. I launched my PledgeMusic campaign, which a psychic recently told me was karmic. I quickly reached my goal thanks to my incredible fans, and formed my own independent team of folks to get this record out. I must say it is all going along swimmingly.

The reunion with Alagia and the people in the room have been on instinct the best contribution I've made to this entire process. Viola, Kevin and Chaves have all been in the driver's seat for some of my recordings and who knew you could get multiple producers in the room with no trace of ego whatsoever. It is 'Big Pink' and the drums are set up in the kitchen, it fulfills every idea of 'camp' and when the band decides one track out of ten didn't feel at the right tempo they will recut it 3 hours before their morning flight because they care so much. I am in a constant state of verklempt and the looseness of this whole shebang made a perfect transition into creative spontaneity that I think is going to surprise many.

The songs are deep but not sorrowful and there is a sense of humor in some that can only come out when you are sleeping in a tent and considering the name 'Frankenfish' for the album title, but "Chesapeake" won out and Frankenfish became the name of my label. Midway through recording the album, we had a listening party bbq tonight where one person said to me that the songs sound like I'm in control of my own life now and I think she is right. "Chesapeake" has been made with a lot of love in the room (and tequila) and like the Franken fish that can swim and walk on land is surprising the hell outta me.
Craig Stickland
Craig Stickland’s name may be rather new to the music loving masses, but for most of his young adult life he has dedicated his time, energy and abundant talent as a songwriter and performer into developing a reputation as an edgy, engaging artist, with an easy, approachable charm, and a host of memorable, powerfully evocative songs.

He also possesses an impressive touring pedigree going back to his days as a member of the alt-rock band We Are The Take, and most recently playing guitar for Alessia Cara on Coldplay’s “Head Full of Dreams” tour.

As a solo artist, Stickland has been consumed with perfecting his ability to create songs which have an emotional authenticity that borders on the sublime. For years he has worked tirelessly at the piano or his guitar searching for just the right sound, and the right voice to set him apart from the cacophony of singer songwriters currently on the scene. The result is that when audiences hear him sing, there is an unmistakable sense that Stickland’s songs are designed to connect all who are listening.

“I truly pride myself on making sure that my songwriting is world class. I have been devoted to writing and my craft and really honing every aspect of my career including my live performance. My goal is to aspire to be one of the biggest and best artists in the world, and to have a career that has depth and longevity. I love what I do, and I am in this for the long haul,” said Stickland, a native of Richmond, British Columbia who moved to the suburbs of Toronto when he was a toddler.

Woodshedding new material for a couple of years after relocating to the music industry Mecca of Los Angeles, Stickland relaunched himself into the centre of the music universe with the release of his EP Leave Me to the Wild in early 2016.

“I have spent a lot of time learning about engineering and producing so that I can get the sound that I am looking for. I want to be in a position where my demos are about 90 per cent ready,

and then bring in an outside producer who can elevate the songs and add that extra 10 per cent to make them as good as they can possibly be,” Stickland said.

“I believe it’s important for me to be a songwriter first, a singer second and a musician third, because the songs are what people remember.”

Stickland is starting 2017 off with a bang, heading out on a cross-Canada tour with Canadian alt-rock pioneer Matthew Good, and the release of a new single called “Warning”.

“I have always worked to support my music. When I was 22 I was working as a bartender and decided I wanted to get proficient on piano. So I enrolled in the Royal Conservatory of Music to learn how to play classical piano. I played four hours or more a day before going into work and got pretty good in a short period of time. I play piano and guitar pretty well and can sing. I bartered with other artists who needed band members, working a deal where I could open for them with my original act and then play alongside them on guitar or keys. It was a great way for me to be exposed more to the music industry and to get lots of great experience I might not otherwise get just working the local club scene,” he asserted.

Stickland’s rugged good looks and rock n roll image landed him a rockstar role in Diesel’s new brand campaign, in addition to a lead role in the Verizon Go90’s dark new music series “Lost Generation” alongside co-star Kate Findlay (How To Get Away With Murder, The Killing). But for Stickland, acting and modeling are a means to an end.

“Music is my life and my passion and always has been. It’s so ingrained in my life that I can’t picture myself ever not playing music. It’s therapy for me, it’s meditation. It’s like nothing else”, he said.
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