Two Nights! KALX presents
Thee Oh Sees
The Mallard, Warm Soda
Sat, January 12, 2013
Doors: 8:30 pm / Show: 9:00 pmThe Independent
This event is 21 and overhttp://www.theindependentsf.com/event/185713/
Thee Oh Sees
Thee Oh Sees are the latest incarnation of songwriter, singer, and guitarist John Dwyer’s ever-evolving pop-folk psychedelic group. Dwyer, who hails from Providence, RI, has been active on the San Francisco indie scene since the late ’90s, working with several bands, including the Coachwhips, Pink & Brown, Yikes, Up Its Alive, and Swords & Sandals, among others, and he formed OCS (which is an acronym for Orinoka Crash Suite, Orange County Sound, or whatever Dwyer decided it was on any given day) initially as a vehicle for the experimental instrumentals he was producing in his home studio.
In time OCS morphed into an actual band, and worked under the usual flurry of names, most notably as the Oh Sees or the Ohsees , and eventually as Thee Oh Sees, featuring Dwyer on guitar and vocals, Brigid Dawson on vocals and tambourine, Petey Dammit (sometimes listed as Petey Dammit! on bass, and Mike Shoun on drums.
The Mallard are a garage psych-rock duo from San Francisco. Their songs harness the naked abandon of 60's punk, but inject the form with a deranged spirit all their own. The overall feeling is of a reckless ascent (or of a delirious plummet). Close attention to tone and dynamics allow the band to explore unusual terrain – to grant access into unexpected realms of beauty, fear, and humor. . .
Greer McGettrick (guitar/vocals) and Dylan Tidyman-Jones (drums/vocals) met playing music in Fresno, California, and later moved independently to San Francisco. McGettrick helmed the Mallard through several incarnations (including stints as a quartet and a solo act) – and self-recorded an initial eight-song cassette tape – before inviting Tidyman-Jones to play drums with her in early 2011. Late summer of '11 will see The Mallard embark on their first major west coast tour, with a full-length album to be released in the fall.
"The Mallard wows me with the ability to mix a sort of top-down beach attitude with the gravel-and-glass of a good garage act. " --Sound on the Sound
"[E]very bit as gritty as the four-track cassette tapes she records her music on." --DLM